by Kim Triedman My gym misses me. I haven’t exactly been pulling my weight lately. Or blasting my abs or busting my butt, either. In fact I can honestly say that from the moment I started writing my second novel this past September, I have gone through the gym …
By Robin Black This post first appeared October 11, 2011 What can renovating and reclaiming your home after years of neglecting it teach you about revising fiction? A lot more than I imagined, it turns out. My husband and I have lived in our house for sixteen …
Over at fastcompany.com: “Is An MFA The New MBA?
Companies all across America are starting to see a critical talent gap as older employees retire. Arts students may not have all the traditional skills, but they have the most important one: creativity.”
Read the rest of Steven Tepper’s excellent post at fastcompany.com
Sara Kuhl writes about wanting to protect her characters:
As writers, we often develop deep relationships with our characters. We talk to them while we’re in the shower. At night, we dream of them. Our characters live side-by-side with us for long stretches. So when it comes time to push their narrative to a place that forces us to make a choice that could hurt them, we may opt to give them a sprained leg when what’s really necessary is an amputation.
I’ve danced around causing my own beloved characters pain. In an early draft of a story about a boy who drowns, I refused to allow the parents to feel the anguish of that loss. I wanted to tie up their lives in neat little packages and allow them to go on their way.
Read the rest of Sara’s post at the South85 blog
From the Brevity blog–Pooh and imagination.
A guest post from Andrew Panebianco, on the act of imagining:
Because as you probably know, Pooh has his own Tao, now.
So let’s leave it here—there’s an immensity to Pooh. There’s a touch of eternity to all his bumbling; a bottomlessness to his most rumbly of tumblies.
There’s a stare into the open eye until the closed eyes open kind of Zen to Pooh.
He’s got Pooh-dist leanings, you could say.
I want to talk about everything that makes Pooh, Pooh. But I don’t even understand it all. So instead I’ll focus on a single point—my very favorite moment, from my very favorite character, from my very favorite story from the entire World of Pooh.
Which is my very favorite.
Here’s how it starts:
Christopher Robin has sent Pooh off…
View original post 632 more words
Wise (and funny!) words from writer Karin Gillespie:
Every once in a while, I get a phone call from someone who will say, “I want to be a writer. Will you tell me how to do it? Could we have lunch or actually, I don’t have time for lunch. How about coffee? Or could you just e-mail me your answers.”
I know what they actually seek from me. They want to know the real writing secrets; the ones buried deep in the bowel of a mountain and closely guarded by a moat filled with hammer-head sharks.
Read the rest of Karin’s post on her blog.